Art & Design

Latin America: the Wealthy Stand Out in Art Patronage

Morgane Nyfeler

By Morgane Nyfeler15 mai 2025

Amidst widespread economic, political, and social crises in Latin America, the continent is home to a record number of millionaires and billionaires. In this climate of inequality, some notable business tycoons are putting their fortunes to good use, betting on culture as a means to repair what can be fixed.

Jeff Koons' seated ballerina in 2017 in front of the Soumaya Museum in Mexico City (Shutterstock)

$28.5 Bn

Record sale for British-Mexican artist Leonora Carrington at Sotheby's in 2024

105

Number of billionaires in Latin America in 2024, compared to 100 in 2023

60,000

Number of works in the private collection of Lebanese-Mexican patron Carlos Slim Helú

In recent years, the number of high net-worth individuals has been on the rise in Latin America. By 2023, the continent boasted over 100 billionaires, most of whom are based in Brazil and Mexico. A number that continues to increase, as Forbes recorded 105 billionaires on the continent in 2024.

Fernando Botero, one of Colombia's most famous artists, is known for his unique style of volumetry, which magnifies shapes and proportions. Here, the 1996 work Arcángel (Christies)

In a nevertheless fragile context, with enormous challenges still ahead, culture seems to emerge as an answer to some business leaders who are passionate about their region’s art, and whose involvement in major exhibitions is now significantly influencing both the art world and its market. In November 2024, the Latin American Art auction, organized by Christie’s at the Rockefeller Center in New York, raised around $22.7 million, with paintings from Mexico’s greatest artists such as Rufino Tamayo, Frida Kahlo, and Diego Rivera, as well as works by Brazilian sculptor Sergio Camargo and Colombian painter Fernando Botero. Similarly, in May 2024, a piece by famed British-Mexican surrealist artist Leonora Carrington, The Distractions of Dagobert (1945), was hammered down for $28.5 million at Sotheby’s, setting a record for the artist. This work was acquired by Argentine businessman Eduardo Costantini, who sought to strengthen both his collection and his commitment to Latin American art - A perfect example of how Latin America's business world is shaping the dynamism of the art market, whose vitality appears to be at its peak.

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